Hollow Streets
A point-and-click detective game in the spirit of film noir. I designed the world and its interface: the rain-soaked streets, the objectives, inventory and dialogue screens. Then I animated the layered screens into one continuous gameplay flow.
CULTech
A satirical management system for running a cult, where followers, communes, rituals and punishments are tracked like any SaaS dashboard. Designed in Figma and animated as a living product: live data, a “Loss of Faith” alert, a chat with the commune’s Punisher, and a warning for eating Brussels sprouts.
i24NEWS
Show openers and on-air graphics for i24NEWS programmes, designed and animated for live broadcast. Each package turns a show’s editorial voice into a typographic system that holds up at the pace of the news.
Regards Croisés
An opener built entirely from type: the title’s letters become windows onto the footage, and an eye inside the S looks back at the viewer.
American View
A studio and newsroom package for a show on American politics and culture, with diagonal type in bold red and blue and the title slamming into place.
Israel Out Loud
An expressive identity for a show about Israeli culture and public debate.
Ending Titles
Outstanding Project · HIT Graduate ExhibitionMy graduation film at HIT: Israel’s story from 1967 to 2025, told as the closing credits of a movie. Each chapter opens on an event title and rolls its “cast” (the leaders, commanders and voices of the time) over archival footage. A solo project, from research to final composition: the credit rollers set in Illustrator, the archive cut in Premiere, everything composed and animated in After Effects.
I Am Gila
A personal campaign about Gila Goldstein, one of the first openly trans women in Israel and an icon of Tel Aviv nightlife. Six motion posters tell her story in a loud tabloid language of cut-out portraits, headlines and bold Hebrew type.