Hollow Streets
A point-and-click detective game in the spirit of film noir. I designed the world and its interface — the rain-soaked streets, the objectives, inventory and dialogue screens — and animated the layered screens into one continuous gameplay flow.
CULTech
A satirical management system for running a cult — followers, communes, rituals, punishments and loyalty, tracked like any SaaS dashboard. I designed the system in Figma and animated it as a living product: counters run, charts draw, drone and security feeds flicker, a “Loss of Faith” alert lands in the feed, the screen changes to a chat with the commune’s Punisher — and a warning pops up because someone ate Brussels sprouts.
i24NEWS
Show openers and on-air graphics for i24NEWS programmes, designed and animated for live broadcast. Each package turns a show’s editorial voice into a typographic system that holds up at the pace of the news.
Regards Croisés
An opener built entirely from type: the title’s letters become windows onto the footage, and an eye inside the S looks back at the viewer.
American View
A studio and newsroom package for a show on American politics and culture — diagonal type in bold red and blue, with the title slamming into place.
Israel Out Loud
An expressive identity for a show about Israeli culture and public debate.
Ending Titles
My graduation film at HIT: Israel’s story from 1967 to 2025, told as the closing credits of a movie. Each chapter opens on an event title and rolls its “cast” — the leaders, commanders and voices of the time — over archival footage. A solo project, from research to final composition: the credit rollers set in Illustrator, the archive cut in Premiere, everything composed and animated in After Effects.
I Am Gila
A personal campaign about Gila Goldstein, one of the first openly trans women in Israel and an icon of Tel Aviv nightlife. Six motion posters tell her story in a loud tabloid language of cut-out portraits, headlines and bold Hebrew type.